Multiverse · 2025 · Acrylic on watercolor paper · 22 × 30 in
The Multiverse series explores parallel versions of the self. Each cell holds a distinct identity operating in tandem, forming a vibrant tapestry — a visual study of how lives exist simultaneously, distinct yet deeply interconnected.
Multiverse · 2025 · Acrylic on watercolor paper · 22 × 30 in
Multiverse · 2025 · Acrylic on watercolor paper · 22 × 30 in
Multiverse · 2026 · Acrylic on watercolor paper · 22 × 30 in
Multiverse · 2025 · Acrylic on watercolor paper · 22 × 30 in
Multiverse · 2025 · Acrylic on watercolor paper · 22 × 30 in
Multiverse · 2025 · Acrylic on watercolor paper · 22 × 30 in
2026
2025
2025
2025
2026
Where Multiverse charts the parallel — discrete identities running in tandem — Wavefunction holds the unresolved. Each work is a single moment before observation collapses it: color, form, and gold suspended in superposition, every possibility present at once. The grid’s architecture gives way to the fluid logic of states that have not yet decided what they are.
Wavefunction · 2026 · Acrylic on watercolor paper · 22 × 30 in
Wavefunction · 2026 · Acrylic on watercolor paper · 22 × 30 in
Wavefunction · 2026 · Acrylic on watercolor paper · 22 × 30 in
Wavefunction · 2026 · Acrylic on watercolor paper · 22 × 30 in
2026
2026
2025
2025
Inspired by nature and the cosmos, the Bloom series finds a tension between chaos and calm. Each painting gathers vivid blooms of color — energy held in stillness.
Bloom · 2024 · Acrylic on watercolor paper · 22 × 30 in
Bloom · 2024 · Acrylic on watercolor paper · 22 × 30 in
Bloom · 2024 · Acrylic on watercolor paper · 22 × 30 in
Bloom · 2024 · Acrylic on watercolor paper · 22 × 30 in
Alex Menenberg is a painter based in Los Angeles. Raised in Bellevue, Washington, he began his practice in parallel with his career as a CPA and expert witness in forensic accounting — a dual trajectory that informs the work’s tension between system and instinct.
His painting unfolds across three ongoing series: the gridded Multiverse, where each cell holds a distinct identity within a larger field; the fluid Wavefunction, in which color is suspended in unresolved blooms before collapsing into form; and Bloom, where vivid color gathers in clusters across the page. The work draws on themes from nature, the cosmos, and quantum physics — the structures and singularities that shape complexity at every scale.
I paint at the threshold between control and release. My day work in forensic accounting demands a kind of relentless precision — building arguments from fragments, fitting numbers to facts. Painting is where that pressure unwinds.
The Multiverse grids hold to a structure, but each cell strains against the rule. The Wavefunction paintings let go of structure entirely: I pour, watch the water decide, and try to stop before I overcorrect. Both feel like the same gesture to me — a way of looking at complexity without forcing it to resolve. Bloom came first — color held in stillness, drawn from nature and the cosmos.
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